BIBLIOGRAPHY

FUNDING

Dalton, K & Griff, C 2003, 'Australian culture and audiovisual media in context of international trade,' Metro Magazine, vol. 135 pp. 252-258

SCREEN AUSTRALIA

Screen Australia 2014, Funding Features, viewed 4 May 2014, http://www.screenaustralia.gov.au/funding/features/default.aspx

CROWD-FUNDING

Pozible 2014, viewed 4 May 2014, http://pozible.com

CO-PRODUCTION

Brewer, SM, Kelley, JM, Jozefowicz, JJ 2009, ‘A blueprint for success in the US film industry’, Applied Economics, vo. 41, pp. 589-606

Drazin, C 2014, ‘Film Finances: The First Years’, Historical Journal of Film, Radio and Television, vol. 34, no. 1, pp. 2-22

Morawetz, N, Hardy J, Haslam, C, Randle, K 2007, ‘Finance, Policy and Industrial Dynamics – The Rise of Co-productions in the Film Industry’, Industry and Innovation, vol. 14, no. 4, pp. 421-443

Ryan, MD 2010, ‘Film, Cinema, Screen’, Media International Australia, no. 136, pp. 85-89

Wu, CC 2002, 'Crouching Tiger, Hidden Dragon is Not a Chinese Film', Spectator, vol. 22, no. 1, pp. 65-79

Pidd, H 2012, 'Sci-fi blockbuster Looper achieves Chinese box office first', The Guardian, October 2, viewed June 3 2014, <http://www.theguardian.com/film/2012/oct/01/looper-sci-fi-blockbuster-china>

'The Red Carpet' 2013, The Economist, December 21, viewed June 3 2014, <http://www.economist.com/news/christmas-specials/21591741-red-carpet>

Turner Entertainment Networks 2014, 'Crouching Tiger, Hidden Dragon (2000)', Turner Classic Movies, viewed June 5 2014, <http://www.tcm.com/tcmdb/title/442944/Crouching-Tiger-Hidden-Dragon/original-print-info.html>

CBS Interactive 2014, 'Crouching Tiger, Hidden Dragon: Cast & Details', TV Guide, viewed June 6 2014, <http://movies.tvguide.com/crouching-tiger-hidden-dragon/cast/134505>

'The Best of Both Worlds: Co-producing Films for the U.S. and China' 2013, online video, USC US-China Institute, May 14, viewed June 3 2014, <http://youtu.be/0gGBg8L2M3g>

DISTRIBUTION / INDIE FILMS / BLOCKBUSTERS

Dalton, K & Griff, C 2003, 'Australian culture and audiovisual media in the context of international trade,' Metro Magazine, vol. 135 pp. 252-258

Mckenzie, J 2013, 'Australian films at the Australian box office :performance, distrubution, subsidies', Journal of Cultural Economics, vol. 37, no. 2 pp. 247-269

Franklin M, Searle N, Stoyanova D, and Townley B, 2013, ‘Innovation in the Application of Digital Tools for Managing Uncertainty: The Case of UK Independent Film’, Creativity and Innovation Management, vol. 22, no. 3, pp. 320-333.

Iordanova, D and Cunningham, S 2012, Digital disruption, 1st ed, Scotland: St Andrews Film Studies, St Andrews.

Jorgensen D, 2007, In Danger of Great Film: The Tenth Revelation Perth International Film Festival, Metro Magazine, vol. 153, pp. 58-60.

Lobato, R 2012, Shadow economies of cinema, 1sted, Palgrave Macmillan, London.

Trowbridge, H 2013, ‘Contemporary film distribution and exhibition: a review of recent studies’, New Review of Film and Television Studies, vol. 11, no. 2, pp. 224-234.

Tyson, J 2000, ‘How Movie Distribution Works’, HowStuffWorks, viewed 5 June 2014, <http://entertainment.howstuffworks.com/movie-distribution1.htm>.

Creativeplanetnetwork.com, 2014, Independent Movie Distribution Made Simple with Video On Demand, viewed 5 Jun 2014, <http://www.creativeplanetnetwork.com/2-pop/news/independent-movie-distribution-made-simple-video-demand/36304>.

Courshon, J 2013, Film Distribution – Interview, Distribution.la, viewed 3 June 2014, <http://www.distribution.la/arena.html>.

Film Independent, 2012, Movie Marketing & Distribution Clinic - Film Independent Forum, YouTube, viewed 1 June 2014, < https://www.youtube.com/watch?v=5EBNWpjtjgY>.

MARKETING

Brewer, SM, Kelley, JM, Jozefowicz, JJ 2009, ‘A blueprint for success in the US film industry’, Applied Economics, vo. 41, pp. 589-606

Burns, A, Eltham, B 2010, ‘Boom and Bust in Australian Screen Policy: 10BA, the Film Finance Corporation and Hollywood’s Race to the Bottom’, Media International Australia, no. 136, pp. 103-117

Cameron, A, Verhoeven, D, Court, D 2010, ‘Above the Bottom Line: Understanding Australian Screen Producers’, Media International Australia, no. 136, pp. 90-102

Film Education 2003, 'Teaching Trailers: Touching the Void', viewed May 29 2014, <http://www.filmeducation.org/pdf/film/TouchingTheVoid.pdf>

Rousseau, J 2013, 'Planning a film marketing campaign', How Moving Marketing Works, weblog, May 30, viewed May 29 2014, <http://howmoviemarketingworks.com/2013/05/30/planning-film-marketing>

Shankar, A 2014, 'How Has Movie Marketing And Distribution Evolved Over Time?', Forbes, February 11, viewed May 29 2014, <http://www.forbes.com/sites/quora/2014/02/11/how-has-movie-marketing-and-distribution-evolved-over-time>

George, S 2011, 'Marketing Australian Films - it's a dog's life', National Film & Sound Arhive, weblog, September 15, viewed May 29 2014, <http://www.nfsa.gov.au/blog/2011/09/15/marketing-australian-films>

Dallas, S 2012, 'Audience Testing: why it works', IF, 24 July, viewed May 29 2014, <http://if.com.au/marketing/index.php>

Karina Wilson 2000-2013, 'Movie Marketing', Mediaknowall GCSE, Los Angeles, viewed May 29 2014, <http://www.mediaknowall.com/gcse/bbustermovies/movies.php?pageID=market>

Movie Marketing Madness 2013, 'Proven techniques of marketing', Movie Marketing Madness, March 28, viewed May 29 2014, <http://www.moviemarketingmadness.com/2013/03/28/proven-techniques-of-marketing-the-movies>

Sebastian, J 2014, 'Movie marketing moves into the digital age', Marketing Week, February 25, viewed June 2 2014, <http://www.marketingweek.co.uk/sectors/media/news/movie-marketing-moves-into-the-digital-age/4009597.article>

Film Victoria, 'Australian Films at the Australian Box Office', viewed June 2 2014, <http://www.film.vic.gov.au/__data/assets/pdf_file/0004/967/AA4_Aust_Box_office_report.pdf>

Screen Australia, 'Australian Content: Box Office', viewed June 2 2014, <http://www.screenaustralia.gov.au/research/statistics/mrboxaust.aspx>

Jericho, G 2013, 'Grab some popcorn, we're doing fine', The Drum, January 30, viewed June 2 2014, <http://www.abc.net.au/news/2013-01-30/jericho-aussie-film/4489102>

INDIEWOOD

Fradley, M. (2010), “Indiewood, USA: Where Hollywood Meets Independent Cinema”, Film Quarterly 64.2, pp. 88-89

Hudson, S. & Tung, V. (2009), ‘“Lights, camera, action...!” Marketing film locations to Hollywood’, MIP 28/2, pp. 188-205

King, G. (2009) Indiewood, USA: Where Hollywood Meets Independent Cinema (Vol. 2), IB Tauris, USA

McDonald, P. (Dec 2009) “Miramax, Life is Beautiful, and the Indiewoodization of the foreign-language film market in the USA” in New Review of Film and Television Studies Vol.7, No. 4, pp. 353-375

Pramaggiore, M. & Wallis, T. (2012) “Film Authorship” and “Cinema as Industry: Economics and Technology” in Film: A Critical Introduction, Third Edition, Laurence King Publishing, London, UK, pp. 407-449

Weinraub, B. (1998) ‘Art, Hype and Hollywood At Sundance’, The New York Times, 18 January

Wong, C. (2011) Film Festivals: Culture, People and Power on the Global Screen, Rutgers University Press, New Brunswick, NJ & London

AUTEURS

COOK, P. 2010. Baz Luhrmann, UK, Palgrave Macmillan. p 14 - 57

Mark Anthony Luhrmann. [Internet]. 2014. The Biography.com website. Available from:http://www.biography.com/people/baz-luhrmann-21032459 [Accessed 02 Jun 2014].

LYMAN, E. J. 2013. Baz Luhrmann on His Big Budgets: People Think 'I Don't Care About Money' (Q&A) [Online]. The Hollywood Reporter. Available: http://www.hollywoodreporter.com/news/baz-luhrmann-his-big-budgets-588483 [Accessed 02 Jun 2014].

RUECKER, D. 2013. 6 Things That Make Baz Luhrmann An Essential Filmmaker [Online]. Available: http://wegotthiscovered.com/movies/baz-luhrmann-essential-filmmaker/ [Accessed 02 Jun 2014].

2014. Auteur Theory [Online]. Available: http://www.britannica.com/EBchecked/topic/44609/auteur-theory [Accessed 02 Jun 2014].

All images/videos are sourced from Google Images, unless otherwise stated.

*Organized by topic